The opening scene in Storm Born is one of the most unique I’ve read in a while. Eugenie Markham, a female shaman who makes her living banishing evil spirits that have crossed over from the Otherworld to our world, has been asked to exorcise a haunted sneaker. Yes you heard right, a haunted sneaker.  Here’s an excerpt:

“Look, Miss . . . Odile . . . or whatever. I’m not crazy. That shoe is haunted. It’s evil. you’ve gotta do something, okay? I’ve got a marathon coming up, and until this started happening, these were my lucky shoes.  And they’re not cheap, you know.  They’re an investment.”

It sounded crazy to me – which was saying something – but there was no harm in checking. I reached into my coat pocket, the one without ammunition.  I’d seen weirder things than a haunted shoe, but not many. Sending some of my will into the wand, I tapped it against the shoe and spoke in a sing-song voice.

“Come out, come out, whoever you are.”

“Go away, bitch.”

Great, a shoe with attitude.

Too bad most of her cases aren’t that easy; unfortunately for Eugenie, her next one takes her into the Otherworld, a place inhabited by the gentry, magical fairy beings notorious for their dislike of humankind (don’t think small creatures with wings though; the gentry look just like humans). Eugenie hates the gentry and often sends them to the Underworld if needed. She’s been taught to loathe them since childhood and as such avoids crossing over whenever possible but her new case her to make the journey into their world.

She’s looking for a young girl recently abducted by the gentry, who are also known for stealing adolescent human girls for white slavery and prostitution purposes. Fortunately Eugenie doesn’t have to make the trip alone; she summons the 3 spirits bound to her for protection. It’s through them that she learns that the young girl, Jasmine, has been taken by Aeson, a powerful gentry king. At the advice of one of her spirits she approaches Dorian, a rival of Aeson’s, asking him to accompany her on her mission to rescue Jasmine. Dorian refuses to join her but does offer the help of one of his guides. He then proceed to tell her a story about a powerful ruler called the Storm King who had the ability to control the weather. He tells her of a prophecy in which the Storm King’s daughter will have a child that will rule over both humankind and the Otherworld. Imagine her surprise to learn that she is that daughter and that her child will become the prophesied ruler. Eugenie refuse to accept the prophesy because it puts her in direct conflict with what she’s been taught. Her heritage, her upbringing, and her entire childhood would be reduced to mere lies if Dorian’s tale were true.

Eugenie soon takes her leave of Dorian and takes her run at Aeson but is unsuccessful in part because Jasmine flatly refuses to leave. Eugenie herself is only able to flee Aeson’s minions just in the nick of time.

Back in the human world Eugenie’s next and most important task is to discuss Dorian’s story with her parents. If what he told her is true, they have some splainin’ to do.

The backdrop for Richelle Mead’s book is a social commentary on prejudice and misguided hatred but it primarily takes a back seat to the action-packed storyline.

Eugenie eventually learns the truth about her past which forces her to once again seek Dorian’s assistance, but this time she wants him to help her control her newly discovered powers. The exchanges between Dorian and Eugenie provide many of the comedic elements in the book. Dorian is, at his core, a wise and very powerful gentry king but he’s also incredibly bored with his life in the Otherworld and therefore welcomes the opportunity to travel to the human world to give Eugenie her lessons and ogle human women. He also does his share of propositioning Eugenie but she never really takes him seriously. Eugenie’s romantic interest is Kiyo, a gorgeous kitsune (shapeshifter) who saves Eugenie’s life on more than one occasion. Kiyo’s help is integral to Eugenie’s survival because someone from the Otherworld doesn’t want the prophesy to come true and is gunning for Eugenie. Additionally, some of the Otherworld beings have determined that they can increase their powers by fathering her next child. As such she spends a lot of time fighting for her life and battling creatures wanting to mate with her.

All of this leads up to an incredible climax rife with surprises and suspense.

In some ways this book reminds me of a modern day Elizabethan court piece; there’s intrigue, romance, betrayal, and characters jockeying for power. Mead manages to balance these elements by writing believable characterizations and fleshing out a very detailed fantasy setting. As a matter of fact, she does a great job with world building. The Otherworld she creates is as varied as our world but it’s also magical, frightening, and fascinating. The book ends with an unanswered mystery that I can’t wait to read more about. I’ve got my ideas but there are lots of possibilities so I’ll have see how good I am at predictions!

All of this makes for a thoroughly entertaining, enjoyable, and captivating read.

This is the first book in the Dark Swan series and a great addition to the urban fantasy genre. Richelle, get the second book finished!